影视后期特效调色系统 (Blackmagic Design Davinci Resolve)V8.2[压缩包]

新的DaVinci Resolve 8在同第三方的兼容性方面也有新的突破。除了DaVinci Resolve调色台,DaVinci Resolve 8还兼容Avid? Artist Color?、Tangent Wave和JL Copper调色台,让用户可以根据的预算和需求自由选择最适合自己的工具。另外,DaVinci Resolve 8还可导出ALE文件,供Avid剪辑系统重新链接完成调色的DNxHD文件。

新的Resolve 软件提供了以下功能:通过XML与Apple Final Cut Pro X协同工作;新的层节点合成特效;支持ACES色彩空间;通过 Avid AAF与 Avid Media Composer?协同工作;对Final Cut Pro 7 素材尺寸调整和位置的支持;新的调色设置复制命令;经过升级的EDL功能;对 Thunderbolt? 采集盒UltraStudio 3D的支持;兼容2011 MacBook Pro 15”计算机。

安装这个升级包后,DaVinci Resolve可以利用Final Cut Pro的rich XML文件格式导入和导出Final Cut Pro X时间线。使用Final Cut Pro X时,用户可以在Final Cut Pro X和DaVinci Resolve之间交换工程,工程的多轨时间线会被完整保留,而且时间线上的剪辑点、迭化特技,以及变速镜头都会按照精确到帧的精度保留下来。DaVinci Resolve也可通过Final Cut Pro X导出的rich XML链接原始素材。

DaVinci Resolve支持高分辨率和高位深调色,因此从Final Cut Pro导出的时间线可以得到最高质量的输出。用户还可采用另一种工作流程:用DaVinci Resolve 管理RED、ARRI、CinemaDNG和DNxHD等具有极高分辨率的RAW图像格式,完成调色后,渲染输出成ProRes或者无压缩媒体,供Final Cut Pro X使用。

DaVinci Resolve 新的层节点合成特效为调色师提供了更多的合成模式,包括加、减、差值、乘、屏幕、迭加、变暗和变亮模式。调色师可以利用这些新合成特效带来的强大功能创作出极为复杂和精细的调色作品。

DaVinci Resolve 继承了DaVinci在高端电影行业的领先地位,现在加入了对ACES色彩空间的支持。ACES IIF是由美国电影艺术和科学学院技术委员会推广的一种通用开放图形图像交换处理格式。ACES IIF文件格式现在得到了全面支持,包括丰富的输入数据转换(IDT)和输出数据转换(ODT),以及对3D shaper LUT的支持。DaVinci Resolve 让调色师可以自由利用这种格式,而且免费的DaVinci Resolve Lite也加入了对ACES色彩空间的支持,让任何人都能使用这种最新的好莱坞技术。

为了提升与Avid Media Composer的兼容性,DaVinci Resolve 现在改进了通过 Avid AAF导入/导出与Resolve协同工作的能力。新的AAF支持包含颜色过渡、带有边框的边缘和中心划像、时钟和百叶窗划像、椭圆和钻石划像、迭加合成等特效 ,还加入了对Avid尺寸调整以及摇移、推拉、旋转和倾斜的支持。

与Final Cut Pro 7的协同工作能力也得到了增强,而且还加入了素材尺寸调整数据导入功能。导入所有或选定素材的尺寸和位置数据可以在渲染时利用具有极高质量的DaVinci Resolve图像尺寸调整引擎。

对包括动态时间线在内的剪辑和节点元数据进行剪切、复制和粘贴操作,让时间线剪辑和节点间调色设置的复制变得更加简单快捷。DaVinci Resolve 还加入了新的套底功能,包括输出丢失素材EDL,以及将新EDL导入到时间线的一轨。这简化了长篇影视制作中丢失素材的查找和替换,非常适合更换VFX镜头。DaVinci Resolve 还提供了一个新的Hover over node调色状态显示,可以显示节点中更改过的调色设置,从而提升调色效率。

DaVinci Resolve 加入了对新硬件的支持,包括Apple 2011年早些时候发布,配有15英寸1680x1050显示屏的MacBook Pro,以及支持Thunderbolt技术的UltraStudio 3D采集盒。对UltraStudio 3D的支持让支持 Thunderbolt?技术的最新iMac和MacBook Pro计算机可以预监视频或连接录机进行输入和输出。

DaVinci Resolve 中的其他特性包括素材合法数据范围或完整数据范围色彩空间转换;如果素材编码不正确,可使用素材色彩空间选择功能;渲染现在可以支持视频或数据级别;在时间线缩略图中,支持RED HDRx素材的HDR源图标。

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DaVinci color correctors are the standard in post production since 1984. There are thousands of colorists worldwide who understand the performance, quality and workflow of DaVinci and love it as their trusted partner in creativity. DaVinci is the name behind more feature films, television commercials, documentaries, episodic television production and music videos than any other grading system.

The post production standard:
DaVinci color correctors are the standard in post production since 1984. There are thousands of colorists worldwide who understand the performance, quality and workflow of DaVinci and love it as their trusted partner in creativity. DaVinci is the name behind more feature films, television commercials, documentaries, episodic television production and music videos than any other grading system. Now available for both Mac and Linux, the true quality and power of DaVinci is now affordable for everyone!

Clients demand DaVinci!
When you’re in a room full of demanding clients with conflicting ideas, colorists know that only DaVinci has the quality, real time performance, creative features, and powerful control panels to make euphoric clients who love to keep coming back. That’s why clients always ask for DaVinci by name.

Grade raw RED files in realtime!
DaVinci Resolve allows full unlimited grading of raw RED files in real time so you’re not limited by time consuming rendering before grading. DaVinci Resolve reads and browses files direct from your disk array, SAN or files captured from the video input. Choose from a huge range of file formats such as native DPX, CIN, QuickTime, DNxHD and native RED R3D in 4K with full de-bayer all in real time. You can even work with TIFF, JPEG, TGA and BMP and up to 16 channels of audio!

Get your job done fast!
DaVinci Resolve is designed to handle all types of source material common in busy post production facilities. Get the job done fast as you can automatically link color correction metadata to the master grade. Load an EDL for an instant conform of your timeline and you can grade multiple versions of the edit all at the same time. DaVinci Resolve lets you view the offline against the timeline to quickly see and fix any problems. EDLs are handled in A or C mode and if you don’t have an EDL, then the DaVinci Automatic Scene Detector can create one for you fast!

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3                          DAVINCI RESOLVE VERSION 8.2                       3
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3 Type..........: COLOR CORRECTORS    3 Packager......: TEAM XFORCE        3
3 Publisher.....: BLACKMAGIC DESIGN   3 Cracker.......: TEAM XFORCE        3
3 Supplier......: TEAM XFORCE         3 Release Date..: MAR 14TH 2012      3
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3  Release notes..                                                           3
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3                                                                          3
3                               3
3  DaVinci color correctors are the standard in post production since 1984.3
3  There are thousands of colorists worldwide who understand the           3
3  performance, quality and workflow of DaVinci and love it as their       3
3  trusted partner in creativity. DaVinci is the name behind more feature  3
3  films, television commercials, documentaries, episodic television       3
3  production and music videos than any other grading system.              3
3                                                                          3
3                                                                          3
3                               3
3                                                                          3
3                                                                          3
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3  http://www.blackmagic-design.com/products/davinciresolve/               3
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3                                                                          3
3                                                                          3
3  INSTALLATION:                                                           3
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3  gets you the Best of the Best. ACCEPT NO IMITATION !                    3
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